Review: Compelling exhibition looks to disturbing themes
It would normally require a trip to London’s National Gallery to see Edouard Manet’s famous masterpiece painting, The Execution of Maximillian.
But here it is at the Mead, the focal point of a compelling exhibition that includes the work of seven internationally recognised video artists who have drawn on similarly disturbing themes.
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Hide AdProfound subject matter doesn’t necessarily make for profound art.
But in Omer Fast’s interviews with ex-combatants, the chaos of war is starkly but subtly revealed.
While in Hito Steyerl’s loving portrayal of her reckless friend, Andrea, the tragedy of a life lost in remote Kurdistan is told in touching detail.
Zarina Bhimji’s sophisticated photograph of a set of guns casually stacked against a wall in Uganda, is a chilling reminder that war is an all-pervading evil from which there is no escape even for non-combatants.
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Hide AdIt’s a message that’s hammered home at the end of the exhibition where Santiago Sierra’s chilling life-size photo of a veteran facing the wall haunts the exit in what seems like a ‘lest we forget’ gesture of despair.
By Peter McCarthy
Rating 8/10